Mania b​/​w Munich in the Rain (Single)

by (Kūkoo) Döll

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bmurator Kū again... :) I simply love that voice! It is different in all three languages. The English version reminds me of Bowie, in the best possible way, with almost every song. The French is incredibly sweet & the English accent just adds to that immeasurably... :) The German reminds me of growing up in a Lotte Lenya / Kurt Weill / Bertolt Brecht household as Kū's voice would suit this perfectly... :) Highly recommended!!!
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1.
She's a lost little girl In a flashbulb world She wants the world to cut her some slack She's on her knees with a face full of cracks The metastasis of fame It's doing in my brain - aaah But the mania It's insania Going out of my mind And the mania It's getting zanier Going out of my mind Out Of my mind Aaaah She's all beehives and furs Lips like a witch's curse She's going to wave like Eva Peron Dancing round to da-doo-ron-ron The metastasis of fame It's doing me in again - aaah But the mania It's insania Going out of my mind And the mania It's getting zanier Going out of my mind Out Of my mind Out Of my mind Aaaah Aaaah But the mania It's insania Going out of my mind And the mania It's getting zanier Going out of my mind Out Of my mind Out Of my mind
2.
I could almost love Munich in the rain When the black puddles shone With pink and purple neon It's happening again Munich in the rain Munich in the rain Well I could have Married you again But if I had a dime For every hill that I've climbed It causes too much pain Munich in the rain Munich in the rain Maybe we could go To see a gallery But they might try to blow us up Yeah maybe we could go To see a movie Buth they're closing the cinema down And I love you when you frown We might look like a couple of clowns But there's nothing to do when the sun goes down But have a couple of drinks in this filthy old town You could wear Something erotic You could wear Something erotic It used to be Exotic Now it just seems sad Munich in the rain Munich in the rain Munich in the rain Munich in the rain La la la la la la la La la la la La la la la la la la La la la la
3.
Sie ist ein verlorenes kleines Mädchen In einer Blitzlichtwelt Sie möchte, dass die Welt sie etwas lockerer macht Sie liegt auf den Knien und ihr Gesicht ist voller Risse Die Metastasierung des Ruhms Es passiert in meinem Gehirn – aaah Aber die Manie Es ist Wahnsinn Verliere meinen Verstand Und die Manie Es wird immer verrückter Verliere meinen Verstand Aus Von meinen Gedanken Aaaah Sie besteht nur aus Bienenstöcken und Pelzen Lippen wie der Fluch einer Hexe Sie wird winken wie Eva Peron Tanze herum zu da-doo-ron-ron Die Metastasierung des Ruhms Es macht mich schon wieder fertig – aaah Aber die Manie Es ist Wahnsinn Verliere meinen Verstand Und die Manie Es wird immer verrückter Verliere meinen Verstand Aus Von meinen Gedanken Aus Von meinen Gedanken Aaaah Aaaah Aber die Manie Es ist Wahnsinn Verliere meinen Verstand Und die Manie Es wird immer verrückter Verliere meinen Verstand Aus Von meinen Gedanken Aus Von meinen Gedanken
4.

about

In spring 1978 Kuku Doll set about recording what was to be her first album for Giorgio Moroder's disco label Oasis at his renowned Musicland Studio in Munich. The album was to feature musicians from his Munich Machine band and the sessions had progressed smoothly with most of the backing tracks considered complete and merely awaiting definitive vocal overdubs from Döll herself before the final mixing could commence. All seemed well when the team paused for a break before reassembling to oversee the final aspects of the production. But during this interegnum, Döll had a complete change of heart about the direction of the project and, having heard the Walker Brothers 'Nite Flights' album, she snuck back into Musicland on the pretext of doing some vocal warmup to the completed backing tracks and left with the tapes, then headed for London to work on completing the album herself in the same Euston studio where The Walkers had recorded theirs.

The result of this final London sessions was eventually released in as uncompromisingly uncommercial a fashion as its author intended under the title 'Mannequin'. You'll be able to hear a restored and remastered version of the album later this year. The almost complete German version, tentatively entitled 'Munich Mannequin' before it was prematurely curtailed has never seen the light of day. Until now...

Thanks to a recently discovered C90 cassette tape featuring the then-current 'best' versions of all the tracks intended for 'Munich Mannequin', Dr François Gaul and his team at the IRCAM institute in Paris have been able to reconstruct as close a version to what the finished album would have sounded like as we believe is possible. Using their advanced machine learning software and the cleaned up, de-processed backing tracks Döll took to London, they've been able to sync the isolations they obtained from the C90 with the multitracks to create a new master project into which an AI assisted isolation of Döll's vocals from the cassette tape has been mixed.

The results are, we have to say, quite stunning but this special double A sided single release features the original 'best' Munich versions of the two songs, as recorded in Spring 1978. These releases have been transferred at the highest possible resolution from the original C90. The full 1978 cassette version of the album will be available exclusively to État de Kū subscribers as part of 'KUnst: the Complete Gernan Recordings' which represents this Summer's KuKoo Club Quarterly offering. But this single from the same source gives the perfect demonstration of just what a remarkable and fortunate find the Munich Cassette was. And you'll be able to hear the astonishing job the team have done when these historic and long thought lost recordings are released later this year in all their beautifully restored and reconstructed glory.

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released April 26, 2024

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KūKõõ कुकू London, UK

KūKoo, divine avatar, mother of creativity, she is beauty incarnate, bringer of infinite joy, rapture and spiritual succour.

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